Only do it if you’re sure…
Tuesday, October 31, 2006
One nice thing about living in New York is that you get to see all those limited release movies that you used to just read about. So Sunday night, Ona and I went to see The Bridge, a documentary about the folks who take the plunge off the Golden Gate Bridge.
It was good… good, but flawed. This is the problem with limited release movies: Often, the release is limited for a reason.
I say it was good because I liked the way it highlighted the quotidian details of suicide. For example, should you take your sunglasses off? Your backpack? And once you decide to kill yourself, fine, but how are you supposed to haul your fat, middle-aged, failure of a body over the rail so you can jump?
It also illustrated that suicide, and the way we think and talk about it, doesn’t actually fit into neat, emotional, and poignant narratives, no matter how much documentary directors want it to.
This was one flaw: The director seemed to want his subjects to utter profound and meaningful things, but over and over again we were reminded that human beings are not typically profound or meaningful. One guy who jumped off the bridge and lived compared it to an alien bursting out of his body, then mumbled something about the soul. “Huh?” you ask.
Exactly.
My personal favorite part of the movie - and I wish I had the exact quote - was an interview with a friend of one of the jumpers. The narrative had drawn to a close, and there was a brief contemplative pause, when she added that, and you know what? That job he’d applied for at the video game store, well, they left a message on the answering machine the morning he killed himself, and they wanted to interview him. And it would have been a management position! So it’s tragic, because he didn’t have to kill himself after all.
The moral being, if you ever plan to kill yourself, wait one hour longer, just in case that life-changing call from the video game store comes through. On second thought, never mind, go ahead and kill yourself.
My main complaint, however, was that in a movie made famous for videotaping a year’s worth of footage of Golden Gate Bridge jumpers, there was disappointingly little plunging and screaming.
This wasn’t because of cautious editing. There was plenty of footage of the jumpers queuing up, hauling themselves over the rail, taking deep breaths, and stepping over the edge. But once they stepped over the edge, the camera simply lost the person. There was nothing gruesome about it because all we saw was a camera man trying frantically to frame a falling body before finally settling solemnly on a spot in the water where the body may very well have landed.
What did I want, a snuff film? Well, yeah, sort of. Admit it, if you walked into a documentary about strippers, you would be a little disappointed if there were no tits. For all the highbrow motives of the genre, there is always an element of voyeurism, and at least I can admit that I kind of - sort of - wanted to see tits.
And really, I think some of the jumpers may have wanted it that way. Seriously. After sitting through all the interviews and footage and swelling music, it became clear to me that there are two kinds of people who jump off the Golden Gate Bridge: jumpers who are clinically depressed, hopelessly chemically imbalanced who just need a blessed way out; and jumpers who want to go out with flare.
I think that second category would have been proud that their final moments in this life got splashed all over movie screens somewhere in Midtown Manhattan. If only that damn camera man had done his job…
